Andrew W. Mellon Postdoctoral Fellow in Digital Humanities, 2014-2015
C. Hugh Holman Award for Outstanding Dissertation, University of North Carolina at Chapel Hill, 2014
Lawrence G. Avery Award for Excellence in Teaching Literature, University of North Carolina at Chapel Hill, 2014
Edited Journal Issues
Literature and Medicine 32.2 (Fall 2014): Literature, Medicine, Religion. Co-edited with Kelly Bezio.
“‘I Have No Disbelief’: Spiritualism and Secular Agency in Elizabeth Stoddard’s The Morgesons.” J19: The Journal of Nineteenth-Century Americanists. Forthcoming spring 2017.
“Craft and Care: The Maker Movement, Catherine Blake, and the Digital Humanities.” Essays in Romanticism. Forthcoming spring 2016.
“Managing an Established Digital Humanities Project: Principles and Practices from the Twentieth Year of the William Blake Archive.” Digital Humanities Quarterly 8.1 (Spring 2014).
My monograph in progress examines how disenfranchised nineteenth-century Protestant authors employed fiction as an imaginative space in which to envision new forms of collaborative agency grounded in particular religious doctrines and practices. In chapters on Catharine Maria Sedgwick, William Wells Brown, Susan Warner and Augusta Jane Evans, Elizabeth Stoddard, and Harriet Beecher Stowe, the project furthers recent work in secularism studies to reveal how nineteenth-century secular configurations made new forms of cross-gender, cross-race, and cross-class agency legible to readers in antebellum and early postbellum U.S.
American Literature and Religion
American Women Writers
Vice-President, Catharine Maria Sedgwick Society
Consultant, William Blake Archive
C19: The Society of Nineteenth-Century Americanists